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Posts Tagged ‘Life’

It is a Rs 22 crore movie. Expectations were high for other reasons. One, it was Aditya Chopra’s comeback after eight years of Mohabattein and thirteen years of Dilwale Dulhaniya Lejayenge . Well, that does not come as a surprise. After giving a hit like (DDLJ), one is virtually competing against oneself! Not sure if there is a follow up formula to the ‘love’ formula.

Two, it is a Shahrukh Khan movie. He did have sole responsibility in holding the storyline. In fact it is two Sharukh Khan movies in ONE.

Rab Ne Bana Di Jodi Released Today.

Rab Ne Bana Di Jodi Released Today.

Set in Amritsar around the Golden Temple, Rab Ne Bana Di Jodi, touches everything that is normal, everything that is way of life in ordinary people’s lives, nothing that you do not know or have not seen in your everyday lives. In fact at times it feels that it has been shot close to home.

The movie starts off on a very old and beaten road- groom does not show up, father finds the first possible match for his daughter from the crowd assembled for the ‘other’ wedding. There starts the one sided love affair, the life of a mismatched couple Surinder Sahni (Shahrukh Khan) and Taani (Anushka Sharma).

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Through his lens he communicates with space; light, texture and color are his friends. Together they create unique compositions and art that will seduce you. Sanjay Nanda captures the realities as well as absurdities of life in time and space through his lens which have taken the form of stunning pieces of art on many a walls.

From Varanasi Collection (Click on the Image for More)

Often times he treads out into the urbanscape and captures  the moments from everyday life which go unnoticed but are unique to their surroundings and strangely elegant.

Sanjay captures the moment while life and color are at play!

Still Life (Click on Image for More)

Sanjay shoots a variety of subjects. He looks for scenes that he can compose in a thought provoking way and colour combinations that somehow stir him without attempting to edit the work or discriminate when in the field. When he gets back to his studio, he sorts through his images, and then chooses the ones that have a staying power for him. He is not interested in merely reproducing a particular scene or image photographically; he is more interested in collecting the raw visual materials that allow him to explore the inherent dynamics and tensions of the picture plane.

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The day is long gone, when I had to wait until mid-morning for my father to let go of the only newspaper we used to get. He would come from the market and sit on the veranda with his tea and the paper before going to office. Some days he was late from the market giving us a free access to the paper, but most days by the time I got up for breakfast it was too late. He would let go of the paper not because he was done, but he was getting late for office. He would have another go at it in the evening after his work. By lunch I would be done with the paper, or at least the bits I was interested in, and look forward to the neighbors’ paper which came as a part of post lunch exchange program. Besides these two newspapers, we had nightly news on the TV. In those days, that was all the access to news we had.

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